Domaine Verena Wyss
Verena’s wines
get better and better. I first visited
her about six years ago, and returned a couple of years ago – see my earlier
blog – and this time I just want to enthuse as I came away with a great
impression of elegance and finesse.
2011 les
Perdreaux – 10.00€
This is
Verena’s Roussanne cuvée that used to be fermented and aged in oak, but in 2008
Verena decided to tone down the oak, and each year she reduced the amount of
oak, so that with 2011 there was none. You
can’t go from oak to no oak in just one vintage, she observed. Your customers might not like it, if the wine
changes dramatically from one year to the next.
There is a little colour, with some ripe fruit on the nose, lots of
white blossom, and on the palate lots of nuances with weight, depth and
length.
2010 Wyss Wine, Viognier, Pays d’Oc – 10.00€
Again, no oak. The wine is ripe and peachy with subtle
nuances, and a herbal note. It is quite
elegant, for a Viognier, with lightly peachy notes on the palate, and a herbal
streak. Quite intriguing.
2010
Viognier Tradition – 11.00€
Seven
months in wood, with bâtonnage. Some
depth of colour. Quite rounded and peachy, but with a drier finish, with oak
providing a streak of tannin. I
preferred the unoaked version.
And then
Verena gave us a treat, 2000 Roussanne.
Lit was light golden in colour, with a mature buttery nose, but quite a
different butteriness than that of Chardonnay. Fifty per cent of the wine had
been fermented and aged in oak. On the
palate, there were lots of nuances, with a hint of maturity, and quite soft acidity
and great length. It was hard to believe
that it was a white wine from the Midi that was almost twelve years old.
2011 Rosé
Lladoner Pelut – 7.50€
Lladoner
Pelut is a cousin of Grenache. The
colour is a pink orange, with quite a delicate nose. It is saigné, with the juice run off very
quickly. The plate is nicely vinous, dry
and rounded with a refreshing finish.
2009 Lladoner Pelut Vin de France – 8.50€
With 11
months in oak. Verena has 1.20 hectares
of Lladoner Pelut, in the hottest part of her vineyards. The wine is aged in oak, in barrels of
several fills. Used oak, she insisted,
not old oak. Medium colour with some
liqueur cherry fruit and a tannic edge on the nose. Medium weigh with ˚quite a firm
dry tannic streak, and some cherry fruit and a fresh finish. This would be a lovely summer red, served
lightly chilled.
2008 Merlot Chant de la terre -14.00€
The colour
has developed a little. Quite cedary
with some vegetal notes on the nose. And on the palate ripe cedary fruit with
supple tannins. Quite fleshy and nicely
rounded with an elegant finish. The wine
spends 126 months in nearly new oak. Verena
buys a new 600 litre barrel ever year and asks for light toasting. We joked that this was the St. Emilion of
Gabian.
2008 La
Tonga – Tonga being Thongue, the nearby river in Occitan.
40% Petit
Verdot with Cabernet Sauvignon. Élevage
in oak and blended together a month before bottling. Deep colour.
Lovely depth with ripe cassis and a grip on the nose. Very good fruit, with youthful
freshness. Medium weight. Elegant
tannins. Maybe the Graves of Gabian?
And to what
did she attribute the improvement in her wines?
Temperature control; she keeps the fermentations cooler; if they are
long and cool, the aromatics are retained, and you must not over extract. Also she in the process of converting to
organic viticulture and maybe that helps too.
2008 Bel Canto - 12.00€
A blend of
Cabernet Sauvignon, Merlot and Petit Verdot.
The Cabernet was planted in 1992, the Merlot in 1996 and the petit
Verdot in 1998. Deep colour; smoky
cedary nose and palate. Richer with more
depth; some lovely cedary notes, smoky, rich and elegant with great
length. The St. Julien of Gabian,
without a doubt!
And then
Verena opened a bottle of a cuvee called l’Art Brut, which had been made on
demand for a group of German customers, who had dictated what they wanted in
the wine, and helped make it. In
Verena’s hands it would have been Bel Canto.
Instead it came from the New World, without the regional characteristics of the
Languedoc, with intense ripe confit fruit and sweet oak, and an alcohol level
of 15˚. The blend was half and half Merlot and Cabernet Sauvignon. The
contrast was quite dramatic and I had no doubt which I preferred. But fascinating to taste the difference in
the glass.
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